September 26 2016:
Rose Petal Jam news!
We are presenting our great new project at the chamber music fair Kamermuziekdag in Hilversum.
September 3 2016 22.00:
Scordatura on BBC radio 3
HEAR AND NOW with Rob Worby broadcasts our London concert and interview with Elisabeth.
Rose Petal Jam
@ work at the Amsterdam Partch Project Headquarters
August 24 2016
Squeezed in between Bach and Brahms we are delighted that Peter Adriaansz’s piece Enclosures that we recorded got 5 stars in the national daily newspaper ‘Volkskrant’!
and by the way…
we had a great review in the concertzender blog!
Hoogtepunt van de avond was de sublieme uitvoering van ‘Enclosures’ door Scordatura… read more
June 15 2016
CD launch of Enclosures
a beautiful piece by Peter Adriaansz that we recorded in 2008, and now on the Ergodos label.
Adapted viola has a sister!
(Or is it a boy? Discuss.)
Kithara I has been premièred in London by the dauntless, stout-hearted Samuel Vriezen and the good news is: it works!
1st & 2nd March 2016
“Two days of Music and Talks around the work of Bob Gilmore”
We played four concerts at the festival ‘The World according to Bob‘ in London.
Nov 29, 2015
Vicentino in Muziekgebouw!
Our project ‘Vicentino a second life‘ is part of Microfest Amsterdam in the Muziekgebouw aan’t IJ.
May 3 2015
On May 31 at 14.00 we performed the programme LIJNENSPEL in the wonderful Van Abbe Museum in Eindhoven, together with our guests Samuel Vriezen on keyboard and Lucas van Helsdingen on bass clarinet. click here
In LIJNENSPEL (which means something like ‘a play of lines’) long sounds in a variety of shapes, waves and forms pass by like clouds at the horizon. Together they create a landscape of pure harmonies. A unique listening experience! Tenney, Sabat and Vriezen’s compositions use each in their own way ‘pure tuning’ as their tonal system. In contrast, Henneman’s solo viola piece moves from a wild and crazy rhythmic outburst of dissonants into a song of ten poetry lines, arriving to rest in a slow melody of flageolets.
James Tenney, Harmonium #1
Marc Sabat, Jean-Philippe Rameau
Ig Henneman, Ten Lines -Solo Song for viola with improvisation (world première, on the poem Soil for Legs by Nanao Sakaki)
Samuel Vriezen, Vincent, Homesick for the Land of Pictures (which is also the title of a poem by Peter Gizzi)
Our keyboard player and artistic leader Bob Gilmore has passed away on January 2nd at the age of 53. Since we started Trio Scordatura in 2006 Bob has given us an overdose of inspiration and we will use this to continue exploring the fascinating world of tuning and microtonality. Trio Scordatura will go further under the name Scordatura, it’s a name change that Bob already was considering. We always enjoyed playing projects with guest players and we will continue to do so, with Bob in our hearts and souls.
Read here a tribute for Bob written by his friend, the composer Donnacha Dennehy.
October 10 2014
Vicentino in Ghent, Belgium
So last week Trio Scordatura successfully launched our new project Nicola Vicentino: a second life at the Orpheus Institute in Ghent, as part of their Research Festival 2014. Two of the four new pieces are now online: Christopher Fox’s new piece on our SoundCloud page here; and Lucia D’Errico’s piece here.
October 4 2014
On Friday October 31 (Hallowe’en), Trio Scordatura makes its debut in Amsterdam’s cool new concert venue Splendor, at the invitation of Michiel Weidner. Four new works specially written for us by Amsterdam-based composers, together with an arrangement of one older piece written for our host Michiel Weidner. Samuel Vriezen’s setting of Peter Gizzi’s poem about Vincent van Gogh is paired with the world premiere of a multimedia work combining sound, colour and word by Aliona Yurtsevich. The programme opens with two responses – by Anne La Berge and Yannis Kyriakides – to the sixteenth century microtonal madrigals of Nicola Vicentino, and closes with Guy De Bièvre’s deconstruction of old pop songs in The Many Gypsies in Me, in which Trio Scordatura is joined by Michiel on cymbalom.
September 20 2014
Dublin concert on Vimeo
Extracts from our performance of Scott Mc Laughlin’s at least two things in Dublin last June, together with a fragment of an interview with Scott by Ian Wilson, is up on Vimeo courtesy of the good people at Dublin’s Contemporary Music Centre: http://vimeo.com/99261258
September 17 2014
Brazil 84 DVD is out!
The new Phill Niblock DVD, Brazil 84, is finally out on Mode Records! It has our studio recordings of two of his notated ensemble works, Tow by Tom (for two “orchestras”, with our friends Nelly Boyd from Hamburg) and Three Orchids (with our friend Guy de Bièvre on dobro). A beautiful film in stunning colours, and superb sound mix by Johan Vandermaelen. Will soon be available to purchase, for that perfect Christmas present!
September 12 2014
Our performance of Samuel Vriezen’s Vincent, Homesick for the Land of Pictures back in June has now been put online by Poetry International Rotterdam, where we premiered it. Check it out – http://www.poetryinternationalweb.net/pi/site/poem/item/24668/poem_eng_audio. It begins with a few seconds of tuning, by the way – the piece begins when the voice enters! We’ll play it again (Sam) on October 31 in Splendor, Amsterdam – come and hear it!
August 24 2014
Scordatura on Mode Records
Our recordings of Phill Niblock’s Three Orchids and (with our Hamburg friends Nelly Boyd) Tow by Tom are finally coming out on a DVD from Mode Records, featuring Niblock’s film Brazil ’84. HOORAY! No confirmed release date yet, but SOON, so watch this space!
March 24 2014
Two new pieces
This past week we have begun rehearsals for two major new pieces, both kindly commissioned for us by the Fonds Podiumkunsten in Holland: one by Samuel Vriezen, the other by Aliona Yurtsevich.
Despite their differences, both pieces are strongly rooted in the
poetry that inspired them. Samuel’s piece sets a long poem by the American poet Peter Gizzi, about Vincent van Gogh; and Aliona’s uses a sequence of twelve of her own poems, each taking a different colour to symbolise a range of moods, images and emotions. Samuel’s piece will hopefully be premiered in June, Aliona’s in early autumn; details will follow. Samuel kindly explained the form of his score (on the ground) to us. Elisabeth removed her boots as an aid to comprehension.